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Widescreen Editions The Good, The Bad and The Ugly WS Rare LaserDisc Eastwood Western

The Good, The Bad and The Ugly WS Rare LaserDisc Eastwood Western

Search for Stolen Gold Against Bounty Hunter and Bandit

The Good, The Bad and The Ugly WS Rare LaserDisc Eastwood Western

Search for Stolen Gold Against Bounty Hunter and Bandit

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The Good, The Bad and The Ugly WS Rare LaserDisc Eastwood Western

Search for Stolen Gold Against Bounty Hunter and Bandit

Rare Widescreen, LaserDisc Movie Near-Mint LaserDiscs and Gatefold Jacket with light edge and shelf-wear

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Rare Widescreen, LaserDisc Movie

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Clint Eastwood, Lee VanCleef and Eli Wallach in... Sergio Leone's...

The Good, the Bad and the Ugly

( Catalog Number ML101739 )
(2.35:1) (3 Sides) (CLV) (NTSC)

LaserDisc Special Features

Best Version on LaserDisc
Original Theatrical Trailer
LaserDisc

The Good, the Bad and the Ugly
1966 - 161 min. - Color
Genre: Western
Rated R
Country: USA

LaserDisc Movie Storyline:
Blondie (Clint Eastwood) and Tuco (Eli Wallach) are gunmen who admire each other professionally but dislike each other personally. Encountering a group of dying soldiers, Tuco learns the location of the graveyard where a Confederate treasure is buried, while Blondie learns the identity of the exact grave. Joined by mercenary drifter Angel Eyes (Lee Van Cleef), they cross the desert, each of the desperadoes knowing half the secret and each focusing his squinty eyes on the $200,000 bounty.

In a classic that puts style above substance, Italian director Sergio Leone uses vivid Cinemascope imagery to depict a bleak and bloody American West in this final installment of his collaboration with Clint Eastwood in the Man with No Name Trilogy. A prototype for the so-called Spaghetti Western genre, the film solidified Eastwood's position as a major international star with his stoic, brooding presence. Cinematographer Tonino Delli Colli's stunning visuals are a match for the vivacious Ennio Morricone score, one of the most recognizable in all of cinema. Although the film was not released in the United States until 1967, it was produced and released internationally in 1966.

LaserDisc Movie Review:
In the last and the best installment of his so-called "Dollars" trilogy of Sergio Leone-directed "spaghetti westerns," Clint Eastwood reprised the role of a taciturn, enigmatic loner. Here he searches for a cache of stolen gold against rivals the Bad (Lee Van Cleef), a ruthless bounty hunter, and the Ugly (Eli Wallach), a Mexican bandit. Though dubbed "the Good," Eastwood's character is not much better than his opponents --- he is just smarter and shoots faster. The film's title reveals its ironic attitude toward the canonized heroes of the classical western. "The real West was the world of violence, fear, and brutal instincts," claimed Leone. "In pursuit of profit there is no such thing as good and evil, generosity or deviousness; everything depends on chance, and not the best wins but the luckiest." Immensely entertaining and beautifully shot in Techniscope by Tonino Delli Colli, the movie is a virtually definitive "spaghetti western," rivaled only by Leone's own Once Upon a Time in the West (1968). The main musical theme by Ennio Morricone became the first instrumental piece to hit #1 on the British pop charts. Originally released in Italy at 177 minutes, the movie was later cut for its international release. --- Yuri German

The last and grandest film in the "Dollars" trilogy, Sergio Leone's The Good, The Bad and the Ugly (1966) is actually a prequel, featuring Clint Eastwood's serape-less Blondie in a search for stolen gold during the Civil War. While the titular trio's quest seems simple, Leone renders the proceedings epic through the constant intrusions of a chaotic, war-torn universe. Rather than an ideal space, Leone's widescreen desiccated western landscape is a harsh environment ruled by brutality, but, as Eastwood's ironically labeled "Good" affirms upon witnessing a fruitless military battle, state-sanctioned bloodshed is even more destructive than individual venality. Still, Blondie's dry wit and Eli Wallach's buffoonish "Ugly" inject the violence with dark humor, while Ennio Morricone's famed score alternates between stately and tongue-in-cheek. In a final shootout set in an enormous circular cemetery and composed of extreme close-ups of the three leads, Leone sends Eastwood's Man With No Name out on a properly operatic yet wry note. The "good" triumphs, but, in Leone's West, it's all relative. Greeted with critical disdain for its stylistic flourishes and sadism, The Good, The Bad, and the Ugly became a hit, and Leone's artistic influence can be seen from Eastwood's directorial work to John Woo's action theatrics. --- Lucia Bozzola

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Reviews, Articles, Newsletter and Information for Movies on LaserDisc LD Laser Disc, LazerDisc.

Cast for The Good, the Bad and the Ugly

Clint Eastwood - The Good (Blondie)
Eli Wallach - Tuco, the Ugly
Lee VanCleef - The Bad
Aldo Giuffr
Rada Rassimov
Mario Brega
Luigi Pistilli
Aldo Sambrell
Benito Stefanelli
Claudio Scarchelli
Sandro Scarchelli
Silvana Bacci
Chelo Alonso
Antonio Casas
Enzo Petito
Livio Lorenzon
Sergio Mendizabal

Crew for The Good, the Bad and the Ugly

Sergio Leone - Director / Screenwriter
Alberto Grimaldi - Producer
Age - Screenwriter
Mickey Knox - Story Author
Furio Scarpelli - Screenwriter
Luciano Vincenzoni - Screenwriter
Tonino Delli Colli - Cinematographer
Ennio Morricone - Composer (Music Score)
Eugene Alabiso - Editor
Nino Baragli - Editor
Carlo Simi - Art Director / Costume Designer
Bruno Nicolai - Musical Direction/Supervision
Rino Carboni - Makeup
Eros Bacciucchi - Special Effects
Giancarlo Santi - First Assistant Director
Franco di Giacomo - Camera Operator

Feature Details

Title: The Good, the Bad and the Ugly
Feature Release Date: 1966
Genre: Western
Rating: R
Color: Color
Runtime: 161 Minutes
Picture: Letterboxed
Ratio: 2.35:1
Playback Format: CLV

IMDB Info...

Technical Details

Catalog Number: ML101739
UPC: 027616173966
ISBN: 0-7928-0115-6
Manufacturer: Pioneer USA
Publisher: MGM/UA Home Video

Diameter: 12"
Sides: 3
Cover: Gatefold Jacket
Spoken Language: English
Country: USA
Video Format: NTSC

Model: ML101739
Shipping Weight: 2 lbs
0 in Stock

Rare Widescreen, LaserDisc Movie

Near-Mint LaserDiscs and Gatefold Jacket with light edge and shelf-wear

Clint Eastwood, Lee VanCleef and Eli Wallach in... Sergio Leone's...

The Good, the Bad and the Ugly

( Catalog Number ML101739 )
(2.35:1) (3 Sides) (CLV) (NTSC)

LaserDisc Special Features

Best Version on LaserDisc
Original Theatrical Trailer
LaserDisc

The Good, the Bad and the Ugly
1966 - 161 min. - Color
Genre: Western
Rated R
Country: USA

LaserDisc Movie Storyline:
Blondie (Clint Eastwood) and Tuco (Eli Wallach) are gunmen who admire each other professionally but dislike each other personally. Encountering a group of dying soldiers, Tuco learns the location of the graveyard where a Confederate treasure is buried, while Blondie learns the identity of the exact grave. Joined by mercenary drifter Angel Eyes (Lee Van Cleef), they cross the desert, each of the desperadoes knowing half the secret and each focusing his squinty eyes on the $200,000 bounty.

In a classic that puts style above substance, Italian director Sergio Leone uses vivid Cinemascope imagery to depict a bleak and bloody American West in this final installment of his collaboration with Clint Eastwood in the Man with No Name Trilogy. A prototype for the so-called Spaghetti Western genre, the film solidified Eastwood's position as a major international star with his stoic, brooding presence. Cinematographer Tonino Delli Colli's stunning visuals are a match for the vivacious Ennio Morricone score, one of the most recognizable in all of cinema. Although the film was not released in the United States until 1967, it was produced and released internationally in 1966.

LaserDisc Movie Review:
In the last and the best installment of his so-called "Dollars" trilogy of Sergio Leone-directed "spaghetti westerns," Clint Eastwood reprised the role of a taciturn, enigmatic loner. Here he searches for a cache of stolen gold against rivals the Bad (Lee Van Cleef), a ruthless bounty hunter, and the Ugly (Eli Wallach), a Mexican bandit. Though dubbed "the Good," Eastwood's character is not much better than his opponents --- he is just smarter and shoots faster. The film's title reveals its ironic attitude toward the canonized heroes of the classical western. "The real West was the world of violence, fear, and brutal instincts," claimed Leone. "In pursuit of profit there is no such thing as good and evil, generosity or deviousness; everything depends on chance, and not the best wins but the luckiest." Immensely entertaining and beautifully shot in Techniscope by Tonino Delli Colli, the movie is a virtually definitive "spaghetti western," rivaled only by Leone's own Once Upon a Time in the West (1968). The main musical theme by Ennio Morricone became the first instrumental piece to hit #1 on the British pop charts. Originally released in Italy at 177 minutes, the movie was later cut for its international release. --- Yuri German

The last and grandest film in the "Dollars" trilogy, Sergio Leone's The Good, The Bad and the Ugly (1966) is actually a prequel, featuring Clint Eastwood's serape-less Blondie in a search for stolen gold during the Civil War. While the titular trio's quest seems simple, Leone renders the proceedings epic through the constant intrusions of a chaotic, war-torn universe. Rather than an ideal space, Leone's widescreen desiccated western landscape is a harsh environment ruled by brutality, but, as Eastwood's ironically labeled "Good" affirms upon witnessing a fruitless military battle, state-sanctioned bloodshed is even more destructive than individual venality. Still, Blondie's dry wit and Eli Wallach's buffoonish "Ugly" inject the violence with dark humor, while Ennio Morricone's famed score alternates between stately and tongue-in-cheek. In a final shootout set in an enormous circular cemetery and composed of extreme close-ups of the three leads, Leone sends Eastwood's Man With No Name out on a properly operatic yet wry note. The "good" triumphs, but, in Leone's West, it's all relative. Greeted with critical disdain for its stylistic flourishes and sadism, The Good, The Bad, and the Ugly became a hit, and Leone's artistic influence can be seen from Eastwood's directorial work to John Woo's action theatrics. --- Lucia Bozzola

Thanks for Visiting DaDon's !

Reviews, Articles, Newsletter and Information for Movies on LaserDisc LD Laser Disc, LazerDisc.

Cast for The Good, the Bad and the Ugly

Clint Eastwood - The Good (Blondie)
Eli Wallach - Tuco, the Ugly
Lee VanCleef - The Bad
Aldo Giuffr
Rada Rassimov
Mario Brega
Luigi Pistilli
Aldo Sambrell
Benito Stefanelli
Claudio Scarchelli
Sandro Scarchelli
Silvana Bacci
Chelo Alonso
Antonio Casas
Enzo Petito
Livio Lorenzon
Sergio Mendizabal

Crew for The Good, the Bad and the Ugly

Sergio Leone - Director / Screenwriter
Alberto Grimaldi - Producer
Age - Screenwriter
Mickey Knox - Story Author
Furio Scarpelli - Screenwriter
Luciano Vincenzoni - Screenwriter
Tonino Delli Colli - Cinematographer
Ennio Morricone - Composer (Music Score)
Eugene Alabiso - Editor
Nino Baragli - Editor
Carlo Simi - Art Director / Costume Designer
Bruno Nicolai - Musical Direction/Supervision
Rino Carboni - Makeup
Eros Bacciucchi - Special Effects
Giancarlo Santi - First Assistant Director
Franco di Giacomo - Camera Operator

Feature Details

Technical Details

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The Good, the Bad and the Ugly LaserDisc, Rare LaserDiscs Widescreen Editions Laser Disc

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